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��ݮ��Ƶ University and the United Mexican States have taken yet another step to advance their collaborative, scholarly relationship.

On December 16, 2024, ��ݮ��Ƶ University repatriated the remains of 21 Oneida ancestors from the collections of the Longyear Museum of Anthropology to the Oneida Indian Nation at the Nation’s Mary C. Winder Community Center.

Oct. 17–31, the Department of History and Longyear Museum of Anthropology welcomed artists from Jalabil, a women’s weaving collective in Chiapas, Mexico, for a two-week residency.

��ݮ��Ƶ University officially marked the first repatriation for Ancestral remains removed from what is now the state of Maryland through the federal Native American Graves Protection and Repatriation Act (NAGPRA).

This restitution consists of 67 archaeological pieces that will be repatriated to Mexico in the near future, and is the result of the good will of both parties.

This spring, the Longyear Museum of Anthropology hosts “Imagining Indigeneity in a Global Future,” curated and designed by Justice Wysinger ’23. 

In a cooperative effort to bring Haudenosaunee culture to life for younger generations, the Oneida Indian Nation partnered with ��ݮ��Ƶ University’s Longyear Museum of Anthropology and the Picker Art Gallery to produce large outdoor reading stations, known as a Story Walk.

The Oneida Indian Nation and ��ݮ��Ƶ University today announced the imminent return of ancestral remains of at least six individuals. Bone fragments were found within the collection of the University's Longyear Museum of Anthropology, where they have been held after being recovered from archaeological sites decades ago.

The Longyear Museum of Anthropology welcomed the member of the Navajo Nation and fashion designer to campus as part of the Not a Costume exhibit

As Halloween approaches, the issue of cultural appropriation in costumes is brought to the fore. To address stereotypes and celebrate indigenous identities, the Longyear Museum of Anthropology opened the Not a Costume exhibition on Sept. 27. “We felt it was important that the exhibition coincided with Halloween so we get people to think critically about […]